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  • Book Overview & Buying Edit without Tears with Final Cut Pro
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Edit without Tears with Final Cut Pro

Edit without Tears with Final Cut Pro

By : Bruce G. Macbryde
4.2 (5)
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Edit without Tears with Final Cut Pro

Edit without Tears with Final Cut Pro

4.2 (5)
By: Bruce G. Macbryde

Overview of this book

Edit Without Tears with Final Cut Pro is your essential guide to overcoming challenges in video editing using Final Cut Pro, simplifying complex procedures and workflows and providing a structured approach for efficient and impressive video editing. This book will change how you approach editing, guiding you to create professional-grade videos with ease and confidence. Throughout the book, you'll enhance your efficiency and speed, while also learning unique workflows for common tasks. The comprehensive coverage spans planning video narratives, crafting preliminary edits and refining them, improving audio quality, setting up and editing multicam sequences, leveraging the inspector's controls, and working with both built-in and third-party plugins. You’ll then advance to animating objects using keyframes, utilizing color scopes for advanced color correction, and troubleshooting common issues confidently. By the end of this Final Cut Pro book, you’ll have developed an efficient editing style, unlocking the full power of this video editing software for your creative endeavors.
Table of Contents (27 chapters)
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Free Chapter
2
Part 1:Planning
7
Part 2:Editing
13
Part 3:Using the Inspector
20
Part 4: Outside Final Cut Pro

Audio keyframing

As you are aware, video clips in the timeline can contain both video and audio. Audio keyframing allows you to change the volume within the clip – not just as a volume level for the whole clip but with varying volume levels throughout the clip.

Let’s start our first exercise:

  1. Add a clip containing audio to the timeline. It can be a video clip with audio or an audio-only clip – both work the same. I have added a video clip containing audio. For better visibility, you can expand the audio by double-clicking on the audio waveform of the clip or using the Control + S shortcut.

    As you know, the faint horizontal white line allows the volume to be changed for the whole clip, but for this exercise, I’ll add keyframes to lower the volume for the second half of the clip.

  2. With the Option key held down, click on the horizontal white line; a white dot will appear.
  3. Click a little further along the clip and do the same with the Option...

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