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  • Book Overview & Buying Edit without Tears with Final Cut Pro
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Edit without Tears with Final Cut Pro

Edit without Tears with Final Cut Pro

By : Bruce G. Macbryde
4.2 (5)
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Edit without Tears with Final Cut Pro

Edit without Tears with Final Cut Pro

4.2 (5)
By: Bruce G. Macbryde

Overview of this book

Edit Without Tears with Final Cut Pro is your essential guide to overcoming challenges in video editing using Final Cut Pro, simplifying complex procedures and workflows and providing a structured approach for efficient and impressive video editing. This book will change how you approach editing, guiding you to create professional-grade videos with ease and confidence. Throughout the book, you'll enhance your efficiency and speed, while also learning unique workflows for common tasks. The comprehensive coverage spans planning video narratives, crafting preliminary edits and refining them, improving audio quality, setting up and editing multicam sequences, leveraging the inspector's controls, and working with both built-in and third-party plugins. You’ll then advance to animating objects using keyframes, utilizing color scopes for advanced color correction, and troubleshooting common issues confidently. By the end of this Final Cut Pro book, you’ll have developed an efficient editing style, unlocking the full power of this video editing software for your creative endeavors.
Table of Contents (27 chapters)
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Free Chapter
2
Part 1:Planning
7
Part 2:Editing
13
Part 3:Using the Inspector
20
Part 4: Outside Final Cut Pro

Plug-ins – general knowledge

The two specific features that many plug-ins use relate to entering text and adding video and stills to portals on the screen; these areas are called a drop zone or, in some cases, a media well.

Figure 11.2 – A Drop Zone and text panel in the inspector, with the viewer also shown

Figure 11.2 – A Drop Zone and text panel in the inspector, with the viewer also shown

Text can be typed directly into a plug-in; however, for multiple words, it pays to prepare the text in a text editor, such as Apple’s TextEdit app, and then copy and paste it into the plug-in. The reasons for this being a good approach are, first, you have more time and space to think precisely about what words you want to construct, and second, the size of the Text area in the Final Cut Pro inspector is very small and text can be hard to see, so it’s better to not have to worry about editing in a restrictive area, as shown in Figure 11.3.

Figure 11.3 – A very small Text field

Figure 11.3 – A very small Text field

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