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Professional Image Editing Made Easy with Affinity Photo

Professional Image Editing Made Easy with Affinity Photo

By : Jeremy Hazel
4.7 (7)
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Professional Image Editing Made Easy with Affinity Photo

Professional Image Editing Made Easy with Affinity Photo

4.7 (7)
By: Jeremy Hazel

Overview of this book

In this book, you’ll explore the Affinity Photo program through practice-based learning as you make popular photo edits, learning the tools and techniques in conjunction with the workflow concept. Instead of comprehensive description of the tools, you’ll learn through practical application and understand why they work, not just how they work. This is neither a technical manual nor a workbook but a project-based hybrid approach that provides a deeper understanding of how to use each tool to achieve your goal. Starting with the fundamentals of navigating the interface, understanding layers, and making your first edit, this Affinity Photo book gradually increases the complexity of projects. You’ll go from single-layer edits, composites, and RAW development to putting together a complex composition using the tools that you've learned along the way. Additionally, you’ll learn the best practices used by expert photo editors for a flawless finish. By the end of this book, you’ll have a good body of work, be able to evaluate the edits you want to make, and achieve desired results with Affinity Photo.
Table of Contents (25 chapters)
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1
Part 1: Foundational and Navigation Basics for Affinity Photo
7
Part 2: Fundamental Concepts Used to Create a Simple Edit
13
Part 3 : The Practical Applications of Affinity Photo
19
Part 4: Finishing Your Edit and Building Your Own Artistic Palette

Summary

Wrapping up this chapter, we first looked at workflows. As you mature as an editor, you will begin to develop a style and a way of working. Coming back to the analogy of cooking, not every recipe you try will work out. Sometimes, you will ruin it, and sometimes, you will add something that didn’t work out. The same is true with photo editing. I will often try a new way of adjustment and the effect will not go my way. So, don’t lose heart… this is why we work non-destructively. To give you one last piece of advice I would say “Fail forward fast,” by which I mean to try it and see what happens... there is always the undo option.

In this chapter, you created your first workflow, and we covered the three pillars of atmospheric perspective: exposure (how light or dark an image is), saturation (how aggressively the colors are displayed in the image), and focus (varying amounts of detail closer to the viewer).

We also covered the three most...

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