Sign In Start Free Trial
Account

Add to playlist

Create a Playlist

Modal Close icon
You need to login to use this feature.
  • Professional Image Editing Made Easy with Affinity Photo
  • Toc
  • feedback
Professional Image Editing Made Easy with Affinity Photo

Professional Image Editing Made Easy with Affinity Photo

By : Jeremy Hazel
4.7 (7)
close
Professional Image Editing Made Easy with Affinity Photo

Professional Image Editing Made Easy with Affinity Photo

4.7 (7)
By: Jeremy Hazel

Overview of this book

In this book, you’ll explore the Affinity Photo program through practice-based learning as you make popular photo edits, learning the tools and techniques in conjunction with the workflow concept. Instead of comprehensive description of the tools, you’ll learn through practical application and understand why they work, not just how they work. This is neither a technical manual nor a workbook but a project-based hybrid approach that provides a deeper understanding of how to use each tool to achieve your goal. Starting with the fundamentals of navigating the interface, understanding layers, and making your first edit, this Affinity Photo book gradually increases the complexity of projects. You’ll go from single-layer edits, composites, and RAW development to putting together a complex composition using the tools that you've learned along the way. Additionally, you’ll learn the best practices used by expert photo editors for a flawless finish. By the end of this book, you’ll have a good body of work, be able to evaluate the edits you want to make, and achieve desired results with Affinity Photo.
Table of Contents (25 chapters)
close
1
Part 1: Foundational and Navigation Basics for Affinity Photo
7
Part 2: Fundamental Concepts Used to Create a Simple Edit
13
Part 3 : The Practical Applications of Affinity Photo
19
Part 4: Finishing Your Edit and Building Your Own Artistic Palette

Destructive Filters and Tools in Affinity Photo

In the previous chapters, we primarily discussed non-destructive workflows (except for frequency separation during photo retouching). The ideal state is for an editor to practice non-destructive techniques as often as possible, but due to limitations on code and development, sometimes, this is not always possible. These limitations can be seen in antiquated, destructive filters that, once applied, cannot be changed and alter the image permanently. These limitations are accompanied by a set of what I call dirty editing tools, such as blur and sharpen brushes. These antiquated tools have non-destructive alternatives (for example, a Blur Live Adjustment layer with a mask) but still exist for people that want to do quick and dirty mock-ups or destructive edits.

It is by design I saved this for the end of this book, as I wanted to teach the more professional ways we work before showing you all the ugly parts of programming. However, the...

Unlock full access

Continue reading for free

A Packt free trial gives you instant online access to our library of over 7000 practical eBooks and videos, constantly updated with the latest in tech
bookmark search playlist font-size

Change the font size

margin-width

Change margin width

day-mode

Change background colour

Close icon Search
Country selected

Close icon Your notes and bookmarks

Delete Bookmark

Modal Close icon
Are you sure you want to delete it?
Cancel
Yes, Delete