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Professional Image Editing Made Easy with Affinity Photo

Professional Image Editing Made Easy with Affinity Photo

By : Jeremy Hazel
4.7 (7)
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Professional Image Editing Made Easy with Affinity Photo

Professional Image Editing Made Easy with Affinity Photo

4.7 (7)
By: Jeremy Hazel

Overview of this book

In this book, you’ll explore the Affinity Photo program through practice-based learning as you make popular photo edits, learning the tools and techniques in conjunction with the workflow concept. Instead of comprehensive description of the tools, you’ll learn through practical application and understand why they work, not just how they work. This is neither a technical manual nor a workbook but a project-based hybrid approach that provides a deeper understanding of how to use each tool to achieve your goal. Starting with the fundamentals of navigating the interface, understanding layers, and making your first edit, this Affinity Photo book gradually increases the complexity of projects. You’ll go from single-layer edits, composites, and RAW development to putting together a complex composition using the tools that you've learned along the way. Additionally, you’ll learn the best practices used by expert photo editors for a flawless finish. By the end of this book, you’ll have a good body of work, be able to evaluate the edits you want to make, and achieve desired results with Affinity Photo.
Table of Contents (25 chapters)
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1
Part 1: Foundational and Navigation Basics for Affinity Photo
7
Part 2: Fundamental Concepts Used to Create a Simple Edit
13
Part 3 : The Practical Applications of Affinity Photo
19
Part 4: Finishing Your Edit and Building Your Own Artistic Palette

Professional tips, tricks, and important points

When working with RAW, I use this early in my workflow and rarely, if ever, use overlays. Once I switch to the Photo persona, I assume I am never coming back to RAW. Whether you like it or not, I shoot RAW whenever I get the opportunity as there is so much more data to work with for a dynamic piece. Even your cell phone these days has a RAW capability.

Tone mapping is my secret to higher contrast extreme images – just make sure you merge down and then adjust the copied image. The preset will give you an idea of what is possible, but do not be afraid to try adjusting the blend mode, blend ranges, and opacities.

By combining your tone-mapped layers with masks to apply part of an image to focus areas, your viewer can have an entirely new experience with your piece and add visual interest.

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