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Professional Image Editing Made Easy with Affinity Photo

Professional Image Editing Made Easy with Affinity Photo

By : Jeremy Hazel
4.7 (7)
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Professional Image Editing Made Easy with Affinity Photo

Professional Image Editing Made Easy with Affinity Photo

4.7 (7)
By: Jeremy Hazel

Overview of this book

In this book, you’ll explore the Affinity Photo program through practice-based learning as you make popular photo edits, learning the tools and techniques in conjunction with the workflow concept. Instead of comprehensive description of the tools, you’ll learn through practical application and understand why they work, not just how they work. This is neither a technical manual nor a workbook but a project-based hybrid approach that provides a deeper understanding of how to use each tool to achieve your goal. Starting with the fundamentals of navigating the interface, understanding layers, and making your first edit, this Affinity Photo book gradually increases the complexity of projects. You’ll go from single-layer edits, composites, and RAW development to putting together a complex composition using the tools that you've learned along the way. Additionally, you’ll learn the best practices used by expert photo editors for a flawless finish. By the end of this book, you’ll have a good body of work, be able to evaluate the edits you want to make, and achieve desired results with Affinity Photo.
Table of Contents (25 chapters)
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1
Part 1: Foundational and Navigation Basics for Affinity Photo
7
Part 2: Fundamental Concepts Used to Create a Simple Edit
13
Part 3 : The Practical Applications of Affinity Photo
19
Part 4: Finishing Your Edit and Building Your Own Artistic Palette

Professional tips, tricks, and important points

I use the Assets panel daily and fill it with the things that I use most often for the type of work I do compositing. And as part of the standard flow, I always run through the assets and ask, Can any of these make the piece better?

Whether it is an atmosphere, a lightning strike, or an article texture layer, the goal is not to use them every time, but to remember they are there. If you bury these things in the folders on your computer, you may forget they exist and miss out.

For websites, I make macros for common adjustments that I use; that way, they all look uniform, and it saves me a ton of time. As an example, if you wanted the images to all have a blue tone to them with desaturation, instead of adjusting all of them by hand, simply create a macro to achieve the result. Make sure you make the macro modifiable for adjustments when the macro runs, though.

Many macros are destructive, so make sure you make a copy of the base...

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