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Professional Image Editing Made Easy with Affinity Photo

Professional Image Editing Made Easy with Affinity Photo

By : Jeremy Hazel
4.7 (7)
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Professional Image Editing Made Easy with Affinity Photo

Professional Image Editing Made Easy with Affinity Photo

4.7 (7)
By: Jeremy Hazel

Overview of this book

In this book, you’ll explore the Affinity Photo program through practice-based learning as you make popular photo edits, learning the tools and techniques in conjunction with the workflow concept. Instead of comprehensive description of the tools, you’ll learn through practical application and understand why they work, not just how they work. This is neither a technical manual nor a workbook but a project-based hybrid approach that provides a deeper understanding of how to use each tool to achieve your goal. Starting with the fundamentals of navigating the interface, understanding layers, and making your first edit, this Affinity Photo book gradually increases the complexity of projects. You’ll go from single-layer edits, composites, and RAW development to putting together a complex composition using the tools that you've learned along the way. Additionally, you’ll learn the best practices used by expert photo editors for a flawless finish. By the end of this book, you’ll have a good body of work, be able to evaluate the edits you want to make, and achieve desired results with Affinity Photo.
Table of Contents (25 chapters)
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1
Part 1: Foundational and Navigation Basics for Affinity Photo
7
Part 2: Fundamental Concepts Used to Create a Simple Edit
13
Part 3 : The Practical Applications of Affinity Photo
19
Part 4: Finishing Your Edit and Building Your Own Artistic Palette

Summary

In this chapter, we covered some basic principles of masking; however, in order to edit effectively, we have to be able to do one other basic skill that relates to masking, and that is the process of selection. When masking is combined with selection, we can begin to use selection as a mask, so let’s say you have a balloon that you want to mask, you can select that balloon and then save it for later work.

In this chapter, we learned the three principles of masking and the two most powerful and frequently used techniques on how to mask, the simple brush-on and the vector clipping mask. This is important knowledge as we will begin to stack basic skills one on top of the other, and that is why the book is written the way it is, so keep going and combining all the new knowledge in each chapter. The masks build on the layers, which build on the idea of a pixel-based system.

But as a last comment, I just want to point out one last time before we leave the masking topic...

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