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Adobe Illustrator for Creative Professionals

Adobe Illustrator for Creative Professionals

By : Balsar
5 (2)
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Adobe Illustrator for Creative Professionals

Adobe Illustrator for Creative Professionals

5 (2)
By: Balsar

Overview of this book

Adobe Illustrator is a vector-based art tool for visual creatives. It is an industry-standard tool that helps you take a design from concept to completion, including the process of peer collaboration and client feedback. Complete with step-by-step explanations of essential concepts and practical examples, you’ll begin to build confidence as you master the methods of successful illustrators in the industry by exploring crucial tools and techniques of Adobe Illustrator. You’ll learn how to create objects using different tools and methods while assigning varied attributes and appearances. Throughout the book, you’ll strengthen your skills in developing structures for maintaining organization as your illustration grows. By the end of this Adobe Illustrator book, you’ll have gained the confidence you need to not only create content in the desired format and for the right audience but also build eye-catching vector art based on solid design principles.
Table of Contents (17 chapters)
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1
Part 1 – Reviewing the Necessary Knowledge
4
Part 2 – Advanced Illustrator Methods
10
Part 3 – Real-World Applications

Groups and compound paths

Illustrator allows you to hold together a collection of objects in a group. Groups allow you to gain a lot of control over your work by reducing what is, at times, a seemingly endless list of vector objects in a layer.

Groups work well for most situations, as they allow for much greater organization. Occasionally though, you will have a situation that calls for a special relationship between two or more objects. That's when the next method can be utilized.

Compound paths feel like groups because they take two or more objects into consideration, as they use the top-level objects to cut holes in the one below. The technique is limited in its uses, but some examples where it would work well include glasses, windows, and rings.

We will examine both of these techniques in greater detail and discuss how you employ them to take greater control of your work.

Groups

I consider the use of groups to be a necessity to avoid chaos. By design, Illustrator...

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