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Final Cut Pro Efficient Editing

Final Cut Pro Efficient Editing

By : Iain Anderson
4.8 (18)
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Final Cut Pro Efficient Editing

Final Cut Pro Efficient Editing

4.8 (18)
By: Iain Anderson

Overview of this book

Elevate your video editing skills with Final Cut Pro 10.7.1, the ultimate tool for efficient and professional editing, offering powerful new features to enhance your workflow and give your videos a stunning look. The second edition of this comprehensive guide covers exciting new features in FCP, teaching you how to streamline your workflow with customizable workspaces, shortcuts, and advanced trimming tools. Explore best-in-class titles and a comprehensive suite of visual effects in Final Cut Pro for dynamic videos, create a great-sounding mix with Final Cut Pro's audio tools, and utilize the magnetic timeline, multicam editing, and advanced color correction for every project. Whether you're creating content for social media, YouTube, or Hollywood, Final Cut Pro Efficient Editing, Second Edition is your ultimate guide to professional video editing. Get your copy today and take your video editing skills to the next level.
Table of Contents (23 chapters)
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1
PART 1: Importing and Organizing
7
PART 2: Rough Cut to Fine Cut
13
PART 3: Finishing and Exporting

Editing 360° footage in a 360° timeline

As with any editing job, you’ll begin by importing your clips. You can use the Media Import window, or drag and drop as you would with any regular footage. Depending on your chosen settings, imported clips will be stored inside the Library, at the Library’s chosen storage location, or be referenced where they are. (Refer to Chapter 3, Bring It In: Importing Your Footage, for more detail on where media is stored.) Each 360° clip will be shown with a small globe (or ball) icon in the top-left corner, and you’ll see this same icon used throughout the app to represent features related to 360° footage:

Figure A.5: A collection of 360° clips with an equirectangular view alongside

Figure A.5: A collection of 360° clips with an equirectangular view alongside

While the equirectangular view does give an overview of the whole shot, it’s not representative of how your viewer will experience that shot. You can simulate a viewer’s more limited...

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