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Final Cut Pro Efficient Editing

Final Cut Pro Efficient Editing

By : Iain Anderson
4.8 (18)
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Final Cut Pro Efficient Editing

Final Cut Pro Efficient Editing

4.8 (18)
By: Iain Anderson

Overview of this book

Elevate your video editing skills with Final Cut Pro 10.7.1, the ultimate tool for efficient and professional editing, offering powerful new features to enhance your workflow and give your videos a stunning look. The second edition of this comprehensive guide covers exciting new features in FCP, teaching you how to streamline your workflow with customizable workspaces, shortcuts, and advanced trimming tools. Explore best-in-class titles and a comprehensive suite of visual effects in Final Cut Pro for dynamic videos, create a great-sounding mix with Final Cut Pro's audio tools, and utilize the magnetic timeline, multicam editing, and advanced color correction for every project. Whether you're creating content for social media, YouTube, or Hollywood, Final Cut Pro Efficient Editing, Second Edition is your ultimate guide to professional video editing. Get your copy today and take your video editing skills to the next level.
Table of Contents (23 chapters)
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1
PART 1: Importing and Organizing
7
PART 2: Rough Cut to Fine Cut
13
PART 3: Finishing and Exporting

Understanding 360° cameras

Most 360° cameras use two very wide-angle lenses positioned back to back in a relatively thin body, capturing a 2D monoscopic 360° image. Some higher-end cameras use a greater number of lenses in a larger, often spherical body, and may be able to capture a 3D stereoscopic 360° image — separate images for the left and right eyes — though this is rare. No matter how many lenses there are, the image is captured in every direction around the camera, so the position of the camera is far more important than its orientation:

Figure A.1: There are lenses on the front and the back of this Insta360 RS 1-inch 360 Edition camera

Figure A.1: There are lenses on the front and the back of this Insta360 RS 1-inch 360 Edition camera

After capture, the two or more images captured are then processed to form a single image. For consumer cameras, this is fairly straightforward — a single file records the two circular fisheye images next to one another in a large video frame, typically around 6K across in...

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