Book Image

Final Cut Pro Efficient Editing - Second Edition

By : Iain Anderson
5 (1)
Book Image

Final Cut Pro Efficient Editing - Second Edition

5 (1)
By: Iain Anderson

Overview of this book

Elevate your video editing skills with Final Cut Pro 10.7.1, the ultimate tool for efficient and professional editing, offering powerful new features to enhance your workflow and give your videos a stunning look. The second edition of this comprehensive guide covers exciting new features in FCP, teaching you how to streamline your workflow with customizable workspaces, shortcuts, and advanced trimming tools. Explore best-in-class titles and a comprehensive suite of visual effects in Final Cut Pro for dynamic videos, create a great-sounding mix with Final Cut Pro's audio tools, and utilize the magnetic timeline, multicam editing, and advanced color correction for every project. Whether you're creating content for social media, YouTube, or Hollywood, Final Cut Pro Efficient Editing, Second Edition is your ultimate guide to professional video editing. Get your copy today and take your video editing skills to the next level.
Table of Contents (23 chapters)
1
PART 1: Importing and Organizing
7
PART 2: Rough Cut to Fine Cut
13
PART 3: Finishing and Exporting

Shooting the right shots

Whatever kind of camera you end up with, you will need to capture a variety of shots to make the edit run smoothly. If you’ve planned well, you’ll go into a shoot with a list of shots that you need to capture, and it’s very satisfying to tick them off as you go.

The shots you need will vary from shoot to shoot, but it’s rare that you can simply capture a subject once from a single angle and be done. Nearly always, you’ll want to capture two different kinds of footage: A-roll and B-roll.

A-roll

This is simply the primary video that you need to capture. If people speak on camera or to a camera, that’s A-roll:

Figure 2.14: A subject talking on camera? That’s A-roll (from Brad Olsen’s Off the Tracks)

Figure 2.14: A subject talking on camera? That’s A-roll (from Brad Olsen’s Off the Tracks)

In dramas, a scene where people are talking is A-roll, and in a corporate piece, the interviews are A-roll. This is the spine of the story — the driving message keeping...