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OpenGL 4 Shading Language Cookbook

OpenGL 4 Shading Language Cookbook

By : David A Wolff, Wolff
3.6 (9)
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OpenGL 4 Shading Language Cookbook

OpenGL 4 Shading Language Cookbook

3.6 (9)
By: David A Wolff, Wolff

Overview of this book

OpenGL 4 Shading Language Cookbook, Third Edition provides easy-to-follow recipes that first walk you through the theory and background behind each technique, and then proceed to showcase and explain the GLSL and OpenGL code needed to implement them. The book begins by familiarizing you with beginner-level topics such as compiling and linking shader programs, saving and loading shader binaries (including SPIR-V), and using an OpenGL function loader library. We then proceed to cover basic lighting and shading effects. After that, you'll learn to use textures, produce shadows, and use geometry and tessellation shaders. Topics such as particle systems, screen-space ambient occlusion, deferred rendering, depth-based tessellation, and physically based rendering will help you tackle advanced topics. OpenGL 4 Shading Language Cookbook, Third Edition also covers advanced topics such as shadow techniques (including the two of the most common techniques: shadow maps and shadow volumes). You will learn how to use noise in shaders and how to use compute shaders. The book provides examples of modern shading techniques that can be used as a starting point for programmers to expand upon to produce modern, interactive, 3D computer-graphics applications.
Table of Contents (13 chapters)
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Drawing silhouette lines using the geometry shader


When a cartoon or hand-drawn effect is desired, we often want to draw black outlines around the edges of a model and along ridges or creases (silhouette lines). In this recipe, we'll discuss one technique for doing this using the geometry shader, to produce the additional geometry for the silhouette lines. The geometry shader will approximate these lines by generating small, skinny quads aligned with the edges that make up the silhouette of the object. The following image shows the ogre mesh with black silhouette lines generated by the geometry shader.

The lines are made up of small quads that are aligned with certain mesh edges:

The technique shown in this recipe is based on a technique published in a blog post by Philip Rideout: prideout.net/blog/?p=54. His implementation uses two passes (base geometry and silhouette), and includes many optimizations, such as anti-aliasing and custom depth testing (with g-buffers). To keep things simple...

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