Sign In Start Free Trial
Account

Add to playlist

Create a Playlist

Modal Close icon
You need to login to use this feature.
  • OpenGL 4 Shading Language Cookbook
  • Toc
  • feedback
OpenGL 4 Shading Language Cookbook

OpenGL 4 Shading Language Cookbook

By : David A Wolff, Wolff
3.6 (9)
close
OpenGL 4 Shading Language Cookbook

OpenGL 4 Shading Language Cookbook

3.6 (9)
By: David A Wolff, Wolff

Overview of this book

OpenGL 4 Shading Language Cookbook, Third Edition provides easy-to-follow recipes that first walk you through the theory and background behind each technique, and then proceed to showcase and explain the GLSL and OpenGL code needed to implement them. The book begins by familiarizing you with beginner-level topics such as compiling and linking shader programs, saving and loading shader binaries (including SPIR-V), and using an OpenGL function loader library. We then proceed to cover basic lighting and shading effects. After that, you'll learn to use textures, produce shadows, and use geometry and tessellation shaders. Topics such as particle systems, screen-space ambient occlusion, deferred rendering, depth-based tessellation, and physically based rendering will help you tackle advanced topics. OpenGL 4 Shading Language Cookbook, Third Edition also covers advanced topics such as shadow techniques (including the two of the most common techniques: shadow maps and shadow volumes). You will learn how to use noise in shaders and how to use compute shaders. The book provides examples of modern shading techniques that can be used as a starting point for programmers to expand upon to produce modern, interactive, 3D computer-graphics applications.
Table of Contents (13 chapters)
close

Using multisample anti-aliasing


Anti-aliasing is the technique of removing or reducing the visual impact of aliasing artifacts that are present whenever high-resolution or continuous information is presented at a lower resolution. In real-time graphics, aliasing often reveals itself in the jagged appearance of polygon edges, or the visual distortion of textures that have a high degree of variation.

The following images show an example of aliasing artifacts at the edge of an object. On the left, we can see that the edge appears jagged. This occurs because each pixel is determined to lie either completely inside the polygon or completely outside it. If the pixel is determined to be inside, it is shaded, otherwise it is not. Of course, this is not entirely accurate. Some pixels lie directly on the edge of the polygon. Some of the screen area that the pixel encompasses actually lies within the polygon and some lies outside. Better results could be achieved if we were to modify the shading of...

Unlock full access

Continue reading for free

A Packt free trial gives you instant online access to our library of over 7000 practical eBooks and videos, constantly updated with the latest in tech
bookmark search playlist font-size

Change the font size

margin-width

Change margin width

day-mode

Change background colour

Close icon Search
Country selected

Close icon Your notes and bookmarks

Delete Bookmark

Modal Close icon
Are you sure you want to delete it?
Cancel
Yes, Delete