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OpenGL 4 Shading Language Cookbook

OpenGL 4 Shading Language Cookbook

By : David A Wolff, Wolff
3.6 (9)
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OpenGL 4 Shading Language Cookbook

OpenGL 4 Shading Language Cookbook

3.6 (9)
By: David A Wolff, Wolff

Overview of this book

OpenGL 4 Shading Language Cookbook, Third Edition provides easy-to-follow recipes that first walk you through the theory and background behind each technique, and then proceed to showcase and explain the GLSL and OpenGL code needed to implement them. The book begins by familiarizing you with beginner-level topics such as compiling and linking shader programs, saving and loading shader binaries (including SPIR-V), and using an OpenGL function loader library. We then proceed to cover basic lighting and shading effects. After that, you'll learn to use textures, produce shadows, and use geometry and tessellation shaders. Topics such as particle systems, screen-space ambient occlusion, deferred rendering, depth-based tessellation, and physically based rendering will help you tackle advanced topics. OpenGL 4 Shading Language Cookbook, Third Edition also covers advanced topics such as shadow techniques (including the two of the most common techniques: shadow maps and shadow volumes). You will learn how to use noise in shaders and how to use compute shaders. The book provides examples of modern shading techniques that can be used as a starting point for programmers to expand upon to produce modern, interactive, 3D computer-graphics applications.
Table of Contents (13 chapters)
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Implementing HDR lighting with tone mapping


When rendering for most output devices (monitors or televisions), the device only supports a typical color precision of 8-bits per color component, or 24-bits per pixel. Therefore, for a given color component, we're limited to a range of intensities between 0 and 255. Internally, OpenGL uses floating-point values for color intensities, providing a wide range of both values and precision. These are eventually converted to 8-bit values by mapping the floating-point range [0.0, 1.0] to the range of an unsigned byte [0, 255] before rendering.

Real scenes, however, have a much wider range of luminance. For example, light sources that are visible in a scene, or direct reflections of them, can be hundreds to thousands of times brighter than the objects that are illuminated by the source. When we're working with 8-bits per channel, or the floating-point range [0.0, -1.0], we can't represent this range of intensities. If we decide to use a larger range of...

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