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The Pro Tools 2023 Post-Audio Cookbook

The Pro Tools 2023 Post-Audio Cookbook

By : Emi Paternostro
4.7 (11)
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The Pro Tools 2023 Post-Audio Cookbook

The Pro Tools 2023 Post-Audio Cookbook

4.7 (11)
By: Emi Paternostro

Overview of this book

Pro Tools has long been an industry-standard Digital Audio Workstation (DAW) for audio professionals, but it can often be overwhelming for new and experienced users alike. The Pro Tools 2023 Post-Audio Cookbook acts as a reference guide to the software and breaks down each stage of a project into manageable phases. From planning a session, editing a sequence, performing a mix to printing the final masters, you can approach this book either sequentially or peruse the self-contained recipes. You’ll come to grips with workflows for music production, motion picture, and spoken word production, helping you gain expertise in the area of your choice. You'll learn aspects of music mixing like side chain processing to keep instruments from overshadowing each other and conforming for motion picture. The author’s expertise with Pro Tools will help you discover and incorporate different techniques into your workflows. You’ll also learn to build consistent and replicable workflows and templates by understanding what happens behind the scenes in Pro Tools. With this cookbook, you’ll be able to focus on the creative aspects of your audio production and not get mired by the technical hurdles. By the end of this book, you’ll be well-equipped to handle even the most complex features of Pro Tools to deliver immaculate results for your clients.
Table of Contents (13 chapters)
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Spoken Word and Podcasts

Whether you are producing audiobooks, podcasts, or read-out-loud stories, spoken word projects often have to produce a lot of content with a limited amount of time and resources. While some projects, such as audio dramas, might be more reflective of what is experienced in a typical motion picture workflow, it’s more common to see longer-form work that benefits from having less manual work performed. For example, in a film that might run 90 minutes, it’s expected that the re-recordist mixer uses a light amount of dynamic control and manually adjusts the volume to produce a more “natural” sounding result. When listening to a round table format podcast, the listener expects a more “radio broadcast” type sound, where the voices are heavily compressed and consistent across the hosts. It’s also common for this kind of content to have quicker turnarounds and smaller budgets, so finding efficiencies will make this work...

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