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  • Book Overview & Buying LMMS: A Complete Guide to Dance Music Production
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LMMS: A Complete Guide to Dance Music Production

LMMS: A Complete Guide to Dance Music Production

By : David Earl
4.8 (5)
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LMMS: A Complete Guide to Dance Music Production

LMMS: A Complete Guide to Dance Music Production

4.8 (5)
By: David Earl

Overview of this book

You've scoured the forums, watched the tutorial videos, and done everything you can to learn the secrets of the art of making dance music. Everyone is saying something different about how to get into producing your own projects. This book will help connect the dots and lay a solid foundation of knowledge so you can get beats banging out of LMMS.This book will show you the ins and outs of making Dance music with LMMS. Do you make house, trance, techno or down-tempo? After this book you'll be able to make a song that stands out from the masses, using time honoured tricks of the trade. From inception to conception, this book will help give you a workflow to channel your muse using LMMS.Readers will be given a brief lesson on the best of dance music history, then learn how to recreate it using the Open Source digital workstation - LMMS. The reader will be guided through creating a project from start to finish. By the end of this book, the reader will know how to create a full dance track in LMMS and make it ready for distribution.Along the way, readers will take short stops into music theory, song arranging, recording, and other related information to give them a good foundation for making dance music with depth as well as power. Reading LMMS: A Complete Guide to Dance Music Production will not just teach the reader how to use LMMS, but also how good dance music is crafted. The reader will not just be taught how to make decisions in LMMS, but when and why. After devouring this book, the reader should be able to focus on his or her creativity, with LMMS as a co-conspirator in the process of making great dance music.
Table of Contents (15 chapters)
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14
Index

Getting on the mic

Microphones come in all shapes and sizes as well as price points. A microphone is essentially the opposite of a speaker. A speaker pushes and pulls on air, making waves that tickle our ears. A microphone receives sound and converts it to an electrical wave that can be amplified and can be sent into a computer, audio mixer, or public address system.

Microphones come in two major categories, with a couple of odd exceptions here and there.

Dynamic microphone

The Shure SM58—the most popular dynamic mic in the world is as follows:

Dynamic microphones are the tough guys of microphones. They aren't usually delicate, due to the fact that they have very simple electronics. Dynamic microphones use a membrane to vibrate along with sound waves, moving a coil that is between two magnets. The vibration of the coil creates an electrical current that flows down a cable to be amplified. The amplifier used to boost the signal before sending that signal along to be used in recording is called a microphone pre-amp. The volume knob at the pre-amp is called a trim knob. This is what a dynamic mic looks like from inside:

The condenser microphone

The AKG Perception condenser microphone is shown as follows:

Condenser microphones are the sensitive type. The main difference between a condenser mic and a dynamic mic is that a condenser needs a little electricity to get the job done. It's less rugged than the dynamic mic and way more sensitive, so it usually lives in the studio instead of going out on stage.

Condenser microphones have a very thin, flat conductive sheet called a diaphram that is suspended in front of an electrified backplate. Any movement of the diaphragm disturbs the electrical field between them, making a signal. Condensers then take this information and have a bunch of circuitry that convert the signal into something our audio interface would like. It still needs a pre-amp. The signal is usually very detailed compared to the dynamic mic. If you plan on screaming a bunch, the dynamic may be a better choice. If you are a crooner, you should think about getting a condenser mic (although they tend to be more expensive). Here's what the inside of a condenser mic looks like:

If you are just starting to record things, I would suggest investing in a dynamic mic from a company like Shure, AKG, or Electro-Voice. They are well established and you can find them online for pretty reasonable prices.

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